Hey Latin fans, we’re back again, and this time around Rhias Hall was under the weather, so Jennifer Lovely called an audible and brought in me, Handsome Husband Jim for a show about hidden gems from the last 10 years. We have different tastes, so they’re very different lists.

We also go over a couple of new movies, like Pet Sematary, but we cut the spoilery stuff to go after the credits. So if you want the whole truth of our opinions, keep listening like it was a Marvel movie for that after-credits goodness!

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Welcome back! Joining us for another episode of Don’t Read the Latin is Jillian Venters from Gothic Charm School! This time, in the wake of election results that are arguably more terrifying than any movie we’ve ever discussed, we decided to get our feminist rant on and sat down to talk about The Monstrous Feminine — the idea of women as monsters in horror movies and pop culture.

Along the way, we discuss Gothic romance novels, Halloween Horror Nights at Universal Studios, the role that Mad Max: Fury Road played in the beginning of Jen’s relationship with Handsome Boyfriend Jim, and we wonder why the hell Marvel keeps burying pretty actors under way too much prosthetic makeup, and we wrap it all up with the topic of older women having a voice and taking up space in our society. We don’t necessarily do a great job of sticking rigidly to our topic in this episode, but we sure hope you’ll think it’s an interesting conversation. Check it out.

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Bibliography
Books we mention in this episode:

• The Monstrous-Feminine: Film, Feminism, Psychoanalysis, by Barbara Creed
• Men, Women and Chain Saws: Gender in the Modern Horror Film, by Carol J. Clover
• Monstrous Bodies: Feminine Power in Young Adult Horror Fiction, by June Pulliam
• Bad Dreams, by Kim Newman
• Angels of Music, by Kim Newman

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Mister Babadook
As mentioned in this episode, Jen’s copy of the crowdfunded prop replica/movie tie-in book from The Babadook has finally arrived! Here are some pictures of just how gorgeous it is. Click to embiggen:

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Welcome back, sugar — won’t you set down for a spell? There you are, settle right in, bless your heart. Thank you so much for joining us for a little Southern hospitality as we sit by the fire and talk about Southern Horror!

We will also be talking about the related-but-slightly-separate Southern Gothic genre, which Tennessee Williams described as writing fiction that captures “an intuition, of an underlying dreadfulness in modern experience.” Which is something we can all relate to, don’t you think?

Join us as we break down our favorite horror films that take place deep in the American South, including some that could only tenuously be said to take place in the South, including one that we were just straight up completely wrong about. (Michael brings up The Others, which, in fact, takes place in freakin’ England. DRtL regrets the error.)

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Bonus Features

Jennifer talks about her subscription to Horror Block, Nerd Block’s horror box subscription that provides her with hand-selected toys, T-shirts, and more surprises every month. (We are not affiliated with this site — Jennifer is just a happy customer.) You can sign up for Horror Block here, if you are so inclined.

We mention “Mama,” the original short film that Guillermo del Toro helped turn into a . . . well, sadly-inferior feature film. But the original hasn’t lost any of its intensity. You can watch it here:

Michael makes fun of the “Look at me, I’m burning” line from Silent Hill, because — well, just watch:

Finally, courtesy of Jim Cartwright, we have this article that’s right up our allery: Report: Leading Cause Of Death Still Venturing Beyond The Pines.

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